Daniel Luke · 2022

Shadow Dance

Watch on YouTube ↗

Overview

100% homemade shadow theatre. Drawn by hand, cut by hand, performed by hand.

“This video is 100% homemade shadow theatre, hand drawn by Adam O’Regan, and hand cut by Daniel Luke.”

Nothing is generated, composited or animated. Every character was drawn flat on paper, cut out, mounted on sticks and performed live against a lit screen — the entire film built at table scale and captured in camera.

Concept by Daniel Luke and Adam O’Regan. Directed, filmed and edited by Adam O’Regan.

The lit shadow stage, a pig character framed by a paper proscenium
A puppet held to the light, casting a shadow across the wall
Hands operating cut-paper puppets on sticks behind the screen
Drawing

A cast designed before a single cut was made.

A shadow has no interior. No shading, no texture, no expression beyond its edge — so every character had to be legible purely as outline.

Ears, snouts, lapels and collars were pushed until each figure read instantly at a glance, then tested at size before anything was committed to paper.

Hand-drawn pig character in a suit and tie
Sketchbook studies of bull and horse heads
Sketchbook page with pig and wolf characters in suits
States of Pig

Four states, one silhouette.

A study sheet working out how much emotional range a single outline could hold — passive, sleeping, psychotic, sad — before the character was committed to paper and scalpel.

The same discipline was applied across the cast: bull, horse and pig, each in a suit, each readable at a glance.

States of Pig — a study sheet of four expressions: passive, sleeping, psychotic, sad
Final silhouettes: bull, horse and pig, all in suits
Cutting

Drawn by one hand, cut by another.

Every asset in the film is a physical piece of paper. Characters, sets and props were cut by hand by Daniel Luke, then mounted, taped and rigged for performance.

Because each cut is permanent, the design had to be resolved on paper first — there is no undo in a scalpel.

Cutting the paper puppets by hand at a workbench
Finished cut-paper puppets laid out ready to shoot
Cut-paper set piece: a figure and a television
The Rig
The illuminated shadow stage seen from the front

One screen, one light, one camera — the whole production, built in a room.

The room set up for a shooting day — screen, lamp, camera
In Camera

Even the titles are physical.

The cards were cut from paper and shot on the same rig, under the same light, as the film itself. Nothing was added in post.

The ‘Shadow Dance’ title card, cut from paper and shot on the rig
The ‘Directed by Adam O’Regan’ title card on the same lit screen
Performance
Puppets operated on sticks against the lit paper set
Two of the team working a puppet during a take
Behind the screen, watching a take back on the rig

Six puppeteers behind one screen. Every move a live take.

Making Of

The whole build, on record.

A companion film documenting the drawing, cutting, rigging and puppeteering that produced the video.

Watch on YouTube ↗

Ending
The final pig silhouette, alone on white
Credits

100% homemade shadow theatre

Hand drawn by Adam O’Regan, hand cut by Daniel Luke

Adam O’Regan

Director · Concept · Illustration · Cinematography · Editor

Music

Daniel Luke
Written & Performed

Concept

Daniel Luke
Concept
Adam O’Regan
Concept

Shadow Theatre

Adam O’Regan
Hand Drawn
Daniel Luke
Hand Cut

Puppeteers

Daniel Luke
Puppeteer
Liam Smith
Puppeteer
John Mohan
Puppeteer
Paddy Cassidy
Puppeteer
Tara Cunniffe
Puppeteer
Alexa Armolea
Puppeteer

Special Thanks

Bernadine McEnroe and John Mohan — for their time and good energy.